Curing Writer's Block: Unsagging the Middle of the Novel

Have you ever put a book down in the middle and never picked it up again?  Books are often begun with a burst of great enthusiasm, but by the time the middle is reached, the excitement may have worn thin for both writer and reader. 

The middle of the book is the longest section and often the most challenging part of a novel to write.  What was once new and exciting runs the risk of becoming redundant and ho-hum boring.  The writer must think of ways to keep the book entertaining to hold the reader’s interest to the end.
  
Below are some tips for keeping the middle from sagging. 

    

 Keep it Exciting by Upping the Ante

The middle is the place to up the ante.  If the protagonist is at risk, make him more so.   If he or she is in danger, make the main character sweat even more.  For example, if your hero is a professional gambler and has risked his own money in the first chapter, in the middle get him into even more hot water by risking money from the boss’s safe or his wife’s private account.  Now, if he loses again, he’s really got a problem. 

Add a Totally New Event

Spice the middle up with an entirely new event.  If you are writing a mystery, add a new murder. If another murder does not fit the storyline, then add a threat or warning.  A sinister phone call, a death note, or the taking of a hostage can heighten the suspense and keep the reader interested.

Add an Unexpected Twist

A twist or surprise in the middle can also be a pleasant diversion.  Perhaps the hero has figured out that the source of all of his problems is the next-door neighbor.  He goes to confront him, only to find the neighbor lying in a pool of blood.  Everything he has thought up to now has been wrong.  The hero must now re-think his angle and start from square one.  (plus, he must also now find out who murdered the neighbor.)    

.

Further the Subplot

The middle is also the place to develop and deepen the subplot.  Create interest in the romantic subplot by making the hero and heroine temporarily separated for some reason.  Maybe the hero gets into an argument with his girlfriend or has a misunderstanding that is difficult to clear up.  Keeping them estranged for a few chapters can liven up the middle of the book and generate reader interest.

Writing the middle can be a challenge.  But don't give up now! Creating new problems and events for the protagonist to face and overcome can help make the middle as entertaining as the rest of the book.

Quick Tips to Unsag the Middle

*up the ante

*add a totally new event

*add an uexpected twist

*further the subplot

For more writing tips click: 

Fiction: From Writing to Publication

Check back for more tips on writing the ending!

Generating Suspense in a Mystery

A few unexpected twists or surprises can make a story come alive. A few novels begin with an unusual twist. Many good novels end that way.
The elements of Question, Sitation and Irony can make a story more exciting and add a twist to any tale. Examples from three masters of "the twist in the tale" follow.

Intriguing Questions

Robert Goddard is often called the "master of the tale with a twist". His novel Caught in the Light begins with an enigma. Ian Jarrett, a photographer, encounters and falls in love with Marian Esguard, a woman he met on a chance encounter in Vienna. After a brief affair, he leaves his wife and daughter for this new lover, but she does not show up at their designated meeting place. He goes in search of her, only to find she might either be the ghost of a woman who died long ago, or a troubled psychiatric patient. From the first page the reader is filled with questions. Who is this mysterious woman? A ghost or an impostor? And what impact finding her will have on Jarrett’s life?

Unusual Situations

In Patricia Highsmith’s Strangers on a Train, two total strangers meet, share idle and drunken conversation, and agree to “exchange murders.” Since they do not know each other, neither one will be suspected of the murder they commit. One of the parties in this insane agreement is joking; the other deadly serious. When Guy Haine’s wife is murdered, he seems the most likely suspect. And then when Bruno comes to exact payment—by having him commit murder for him—he is in a double bind. Not only is he a suspect in his wife’s murder, now a complete stranger wants him to commit another. So how’s he going to get out of that one? The reader has to continue to find out.

Use of Irony

The use of irony is perhaps the most effective kind of twist. Irony happens when things appear one way but because of a flaw in the viewer’s perception are really much different. For example, in The Open Window by Saki, a visitor is told stories by a teenaged girl that changes his perception about the purpose of an open window. An innocent object now fills him with apprehension and terror.

Another excellent example of irony is the short story The Gift of the Magi by O. Henry. Because of acts of unselfishness, gifts intended to please are rendered useless, yet the gifts become even more important because they symbolize the love and generosity of the givers.

Adding intriguing questions, creating unusual situations, and including a touch of irony are all ways to put a new slant on an old story.